Review – Three Queens

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Review by Alida Pantone

In the dimly lit quarters of Barons Court Theatre, Rosamund Gravelle’s debut play “Three Queens” endeavors to transport its audience back to a turbulent night in Tudor England. Set on the eve of Lady Jane Grey’s execution in 1554, the play unfolds in a space that, despite its limitations, creatively plays into the drama. The confined, basement-like atmosphere of the venue, though challenging with its less-than-comfortable seating and a noticeable mustiness, perhaps inadvertently enhances the clandestine feel of the narrative. This environment could be seen as peering through a keyhole into a secretive world, which intriguingly aligns with the play’s theme of private royal turmoil.

The play’s female characters, portrayed with remarkable strength and depth by Becky Black, Martha Crow, and Eliza Shea, definitely stand out. Their performances resonate with an authenticity that some of their male counterparts unfortunately do not match.

For those unfamiliar with the intricacies of Tudor history, the play does little to educate or guide its audience, assuming a level of prior knowledge that not all possess. This oversight makes the narrative difficult to follow, leaving the viewer somewhat adrift in the play’s historical currents.

Director Sharon Willems and writer Rosamund Gravelle have indeed crafted a piece with a clear passion for Tudor history and a desire to spotlight its formidable women. However, the production falls short of delivering a fully engaging and accessible portrayal of these historical figures. “Three Queens” has the seeds of a compelling historical drama, but they have yet to fully grow given the challenges of its physical and narrative execution.

At Barons Court Theatre until 11th May 2024.

More info about the show: https://livelondonpost.com/three-queens-by-rosamund-gravelle/