Review- ORPHEUS & EURYDICE at Bridewell Theatre

Review by Beatrice Mori.

This new production of Orpheus & Eurydice directed by Pamela Schermann headlines Opera in the City Festival 2018. It’s the story of the most famous and beloved Greek myths. A myth about love, passion, and the weaknesses of the human spirit.

Orpheus, the main character – unable to accept the death of his beloved wife Eurydice – descends into the Underworld to bring her back. He has the compassion of the Gods by his side, and one condition to obey: while leading her out of Hades’ world, he must never turn to look at her.

The first mention should go to the leading actors (Lawrence Olsworth-Peter as Orpheus and Caroline Kennedy as Eurydice), and especially to the amazingly talented Lizzie Holmes, playing Amor. They had stunning opera voices, and proved to be skilled performers by making their characters believable.

The ensemble had truly beautiful voices, but seemed to have a more classical approach to their performances. They seemed to commit less to their characters compared with the lead actors, and though this might be due to a more traditional approach to Opera, I would have liked to see more passion in their performances.

The set was minimal but beautiful and well designed, though there were many moments in which the space seemed too big for such a small production, especially during Orpheus solos.

The second mention is all for the amazing Orchestra directed by Andrew Charity which played in perfect harmony with the actors and singers.

Though the many dramatic moments seems too long at times (mainly because of the exhausting complaints of Orpheus), and there’s room for improvement, this show has some nice moments, all leaded by Amor and her ability to bring life to the dramatic plot and it’s unexpected end.

It’s an enjoyable show, especially if you love Opera and Greek Mythology.