Interview with Francesco Carlucci: Cinematography, Culture, and Creativity

With over a decade of experience in the UK film industry, Francesco Carlucci has established himself through his work on various high-profile projects, including music videos, independent films, and major international films like “No Time to Die.” As he prepares for his upcoming projects, including the feature film “Reparations,” we sat down with him to discuss his journey, his influences, and his thoughts on the evolution of cinematography in the digital age.

Francesco, your journey in cinematography began quite uniquely. Could you share more about your early experiences and what sparked your interest in visual storytelling?

Certainly. It all started in Matera, Italy, where I first assisted a family photographer at weddings. That exposure to the dynamics of camera work and the atmosphere of storytelling ignited my passion. This led me to pursue formal education in Multimedia Operations at Omnijob in Milan, followed by specialized cinematography training at the New York Film Academy.

After establishing yourself in London, you founded waWwa Productions. What inspired you to start your own company and how has it influenced your career?

The decision to start waWwa Productions stemmed from my desire to integrate more deeply into the UK’s vibrant film industry and to have a platform for complete creative expression. The company allowed me to explore various filmmaking aspects, from production to directing, fostering collaborations that have been pivotal in my professional growth.

Throughout your career, you’ve tackled a variety of projects. Could you highlight a few that have been particularly significant to you?

One of the standout projects is the music video “Dream” for Ylexo, which we shot right here in London. It delves into relationship dynamics through a visually engaging narrative. Another significant experience was working on the James Bond film “No Time to Die,” where I learned a great deal about the intricacies of large-scale film production.

The role of filmmakers has evolved significantly with digital technology and social media. How do you view these changes?

Digital technology and social media have dramatically transformed filmmaking, making it more accessible and providing filmmakers with tools to innovate and reach global audiences. This shift has opened up new avenues for creativity and interaction, allowing filmmakers to engage with their audiences in direct and meaningful ways.

Looking ahead, what projects are you excited about, and what themes are you eager to explore?

I’m particularly excited about “Reparations, by production Chrystal Rose”, a feature film recently finished filming these days. I took care of the image as DOP that addresses complex issues of identity and heritage in London.  I’m also looking forward to collaborating with Palm Tree Productions on a project in Scotland that promises to explore different storytelling landscapes. As an ambassador for RED Digital Cinema Europe and ICE from Sony, I am eager to leverage the latest technologies to enhance our storytelling capabilities.

If your life were a movie, which would it be and why?

If my life were a movie, I’d relate it to The Curious Case of Benjamin Button. It’s a film that captures the essence of life’s complexities and transformations, paralleling my own experiences across different cultures and professional challenges.

What advice would you offer to aspiring cinematographers?

My advice is to always be curious and open to learning. The film industry is dynamic, and success often depends on your ability to adapt and grow. Engage with every project wholeheartedly, and remember that filmmaking is profoundly collaborative—embrace this aspect and build strong relationships within the industry.

Thank you, Francesco, for sharing your experiences and insights. Your contributions to film and your visionary approach to cinematography are truly inspiring.

It’s been a pleasure discussing my journey and the work I love. Thank you for the opportunity to share my story with your readers.